Phu Ruea National Park located in Loei, one of the coolest provinces of Thailand. Due to the cool climate the area is rich in orchid species which flower throughout the year. The other important peaks are Phusun, which is 1,035 meters high from the sea level, and Phuku, which is 1,000 meters high from the sea level. It is a high mountain comprised of sandy and granite. At the top, it is viewpoint that you can panoramically see Hueang and Khong Rivers. Phu Ruea is the highest peak of 1,365m above sea level. More than half of the top of Phu Ruea National Park is covered with low shrubbery, grasslands and strangely formed rock formations. It is rugged mountain range. It is 1,365 meters high from the sea level. Also the headwater of many rivers of Loei. Pha Lon Noi is good point to see the sun rise. The highest peak is Phuruea.

This well-preserved ancient tradition differs around the kingdom.

Thailand’s water culture inspires one of the country’s most popular and picturesque festivals, Loi Krathong. People in Tak province make Krathong Sai using multiple coconut shells strung together. Many travel to see the distinctive regional celebrations. Found nationwide, it is best exemplified in the major celebrations in Bangkok, the capital, and Sukhothai, an ancient former capital. Curves of banana stem ‘bark’ are used to form the simpler Krathong Sai Kaab Kluay of Samut Songkram. Upon the full moon of the twelfth lunar month each November, millions of Thais light the waterways with ornate floats or spangle the skies with fireworks and paper lanterns. Lanterns in the North float in the sky instead, with flame-powered Khome Loi paper balloons lofting upwards most dramatically around Chiang Mai in the North. And wistfully make a wish. This well-preserved ancient tradition differs around the kingdom. The generic krathong (leaf vessel) that people loi (float) is a raft of banana stem adorned with leaves, flowers, incense and candle.

The festival’s roots are ancient, but the Loi Krathong we see today became popularised from palace rituals of the early Rattanakosin era to venerate the water goddess, Mae Khongkha. Other rafts peak in the middle to evoke chedis (stupas) or the mythic Mount Meru. Some take the form of a sacred swan. It is not by coincidence that Loi Krathong occurs at one of the year’s highest tides. A krathong raft uses a buoyant disc of soft banana tree trunk ringed by banana leaves folded into auspicious traditional Thai patterns known as Lai Thai. The standard shape resembles the open petals of a lotus in bloom. Each krathong contains the Buddhist offerings of flowers, at least one incense stick and a candle, the flame and glowing ash fading as the vessel bobs downstream. What is a Krathong? Two centuries ago, most Thais lived on rafts or in waterside stilt houses. Water was vital to livelihoods from fisheries, floating markets and rice fields. The festival materials reflect a bygone village lifestyle.

The festival is a chance for communal sanuk – the Thai sense of fun.

Contemporary taste and materials have influenced krathong design. A fad for polystyrene bases has given way to greater awareness of their adverse environmental impact. Thais flock to the waterways in gleeful, larking groups. An ecologically-sensitive krathong can now be made from bread or vegetable matter which fish can eat. Creativity with petals. Leaves turn floats into works of art. Municipal workers collect all the spent krathong they can, while some Thais minimise their impact by sharing with friends or family. Traditional vessels are biodegradable, but that still takes time. Natural dyes add to the floral palette. They are an offering not just of thanks for life-giving water, but an apology for polluting or carelessly misusing the pristine gift of the Mother of Waters. The festival is a chance for communal sanuk – the Thai sense of fun. The increasing quantity of krathong each year begs the question why Thais create them in the first place.

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Couples often launch one jointly as a romantic gesture of togetherness. How the festival began remains unclear, but various accounts point to an Indian origin. An ancient Thai tale holds that the krathong was invented in the early Siamese kingdom of Sukhothai by the maiden Tao Sri Chulalak, commonly called Nang Noppamas. The closest parallel is with Deepavalee, a festival of lights also held in November, in which Hindu devotees float tiny lanterns to honour the gods Brahma, Shiva and Vishnu. People bow down with the krathong raised to their forehead, pray in thanks, then set the craft adrift. Other authorities speculate that it may derive from an act of remission to India’s sacred River Ganges. Buddhist explanations of Loi Krathong suggest a rite to honour the disciple Phra Uppakhut, or to pay respect to the Lord Buddha’s footprint beside the mythical Narmada River. Those seeking better luck place something of their own – a hair, a coin, a nail clipping – into the raft, because the act feels like casting away one’s grief or ill-fortune.

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